The Best Camera For Surf Photography

I still get asked for these blogs that used to be on my personal site, and as The Plastic Project is essentially a photographic project, they sit nicely and updated here. I’m not sponsored by anyone, we have had some support from all major camera brands in the form of lens loans etc., but I pay full price for every bit of gear I own so this is a real analysis. I’d also say, if you already have a bunch of lenses for one system, probably best to stick with that system so you don’t have to re-invest all over again. The real world difference especially between the top end cameras is very negligible. As the old saying goes as well – The best camera is the one you have with you.

Nikon

I was a real Nikon fan boy for years and they make awesome cameras, so I have had the joy of owning/using all of these.

Money No Object

The Nikon D5 is a shit hot camera, if you have 4k + to burn and Nikon lenses it’s awesome for shooting surf. It ticks along at 12fps and the low light performance is pretty epic. It still isn’t truly revolutionary, it’s an upgrade on the D4s, but Nikon still haven’t captured the massive step up and revolutionary performance they had when they released the D3s. Having said that, the thing all work in anything, so is a very good surf camera, as well as everything else.

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The Nikon D3s, this used to be the best full frame camera for sports in the world, low light performance which is critical for us in Northern Europe is awesome, frame rate ticks along nicely at 9fps, you can happily shoot at ISO 3200 and beyond and it is practically indestructible. If you want a top end pro camera for under £1k this is an awesome option. Couple it with the Nikon 16mm fisheye and a good water housing and you have a good water rig.

Mid Range

I’m talking £800 – £3000 here, what the manufacturers like to call semi pro setups. When I first wrote this Nikon didn’t really have a semi pro camera when it comes to shooting surf/sports which is what we’re all about in ether full frame or APSC, but that has all changed.

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The Nikon D500 is basically a baby D5, it clocks along at 10fps, and has a 200 shot RAW buffer, and it is compatible with every Nikon mount lens. Modern APSC sensors are also so good, there is a question of why you need to go full frame, there are only a few occasions where you need that resolution. Couple that with the extra reach it gives, and the incredible Nikon 10mm f2.8 fisheye and this is an awesome sell camera.

Nikon have also released the Nikon D850, again it ticks along at up to 9fps, and has an incredible 45 megapixel full frame sensor, if you want to be the next Ray Collins, the is not only one of the cameras he uses, but s probably the one for you.

In the rest of the full frame lineup the D610, 750 and 800 are all very good cameras, they do really good in low light, but their frame rates are a little lacking. Six and six and a half frames per second isn’t sluggish, and don’t be ruled by frame rates, but especially when shooting fast action in and out of the water they are important.

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When it comes to the other mid range up to date APSC sized sensor then Nikon went from having the market leader to a very good but slightly restricted offering in the D7000/71000/7200. The image quality and low light ability, as well as the autofocus on these is very good, the frame rate however is a little low at 6fps, and the buffer depth in RAW, is also poor. (that’s the number of shots it takes to fill the memory before the frame rate slows down).

Bargains – Sub £800

Nikon  kill it when it comes to bargain cameras. First the full frame D700, this is an epic camera, with a grip and dedicated battery it will burn along at 8fps for three seconds, has amazing low light ability, decent autofocus and great ergonomics. It’s essentially a non weather sealed baby D3s, and if you hunt around, you can pick one of these up for £450-600, a housing for about the same, and you have a pro rig for very little. Granted the resolution and overall image quality isn’t as good as a modern model, but this thing will spit out double page spreads until its shutter fails, which will be a while.

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If that’s a little pricey, how about the same camera except with a smaller APSC sensor? The Nikon D300 with a booster is a weapon, and I just checked on ebay and there is a tatty one going for £150, in five years at Wavelength this was both mine and Ben Selway’s weapon of choice. I only upgraded two years ago, and at 8fps, with great autofocus it’s a bargain sports camera to get you going in and out of the water. Downside compared to modern cameras is the resolution and ISO performance, I wouldn’t use over ISO 800, and it’s best at 200-400.

Canon

Money no object

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The Canon 1DX2 is currently the best DSLR for sports in the world, no two ways about it. Autofocus, low light performance and frame rate (14fps), coupled with a full frame sensor smoke everything. Whilst Nikon were high fiving that the D3s was the best camera in the world and laughing at Canon’s inability to make a full frame sensor sports cam (the 1d 1/2/3/4, are all APS-H), rather than figuring out they could make the D4/5 amazing, Canon went away and smashed them with first the 1dx and then the mark 2. At this moment it is the best DSLR for sports in the world, and the video is pretty good as well. If you have £4k + to burn and don’t own loads of Nikon lenses get this, it won’t make you a better photographer, but it will allow you to do things easier and more efficiently. In the real world I doubt a D5 is that much different, but having used them both I just feel this has several notches up on everything, hence why I own mark one.

Mid Range

Personally I’m not a fan of the 1d Mk1/2/3 you can pick them up for absolute bargains, as little as a few hundred pounds, but their low light performance is terrible and there are autofocus issues in all of them from my experience. The Mk4 is a different kettle of fish, good autofocus, decent low light ability, fast and decent video, it just sucks it hasn’t got a full frame sensor in it, but is still a good camera and pro level and goes for around £1k new!

Then there is the 5d1V, it’s an awesome camera, decent low light performance, decent autofocus, and a useable 6 fps, make it a solid pro alternative to the 1DX. Being full frame you can utilise the amazing Canon 15mm lens in the water, and it makes for a good all round filming and photographic body. If you want full frame, and don’t have the pockets for a 1DX get this.

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Canon changed the game really by introducing the 7D Mk11, the 7D has issues, but the Mk11 is a pretty sick bit of kit. It is essentially a baby 1DX, 10fps, very advanced autofocus, and critically Canon have sorted out the image quality which plagued the Mk1. It’s still not perfect as the sensors in Sony’s APSC sized cameras outclass it in image quality and low light ability but it is an awesome camera, and having that crop factor when shooting from the beach is a huge advantage over a full frame. This is essentially a pro camera.

Bargains – Sub £800

The 7d MK1, awesome camera, good autofoucs, good frame rate at 8fps, great ergonomics, small in size, but it sucked even at relatively low ISO for image quality. I owned one, we used to cringe when we got files shot over ISO 320 at Wavelength, and this really lets these cameras down in my opinion. Having used one, for about 8 months, I would advise to stay clear. Having said that the video is pretty sick.

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So at a lower end I’d go a Canon 70d/60d – Little slower frame rate wise at 7fps, but the 70 has incredible autofocus, great video and awesome image quality, I really like this camera and would go for it over the 7d MK1 any day.

SONY

A few years ago I knew little about the full frame Sony’s but recently it has been the only thing I have used, up until the MK3’s of the A7 and A7r were released they suffered from an underwhelming frame rate and buffer and truly shocking battery life, which meant for water shooting it was a massive pain in the arse. But all of the has changed.

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The A7111 is probably the best value full frame camera you can purchase, at just under £2k new, it cranks along at 10fps and and the mage quality is as good or better than the top end Canikons in the same price range, and more expensive and its low light performance s borderline magic. I’d say its autofocus is not quite as good as the pro level Canon and Nikons, but it’s not far off.

The A7R3 is even more incredible its megapixel count, 10fps, and battery life make it a high quality dream. It blows away the Nikons and Canon top end cameras for around £1500 less, but just lacks very slightly on autofocus, and out and out speed, but if you’re looking for quality, this your camera. A lot of pros use this, for example legendary Carve Ed Sharpy shoots both stills and vid with it.

sony-a9-body

Then there is the A9, a camera that’s borderline witchcraft, incredible image quality in all light, ridiculous autofocus, and it ticks along at 20fps for 220 frames at full quality, which makes it a surf photographers dream. It doesn’t have the battery life of the Canon or Nikon pro series cameras, but it is good enough, and it comes in cheaper than both canon and Nikon flagship models. The downside? Although weather sealed this just does not seem to be as bomb proof as the Nikon D seres or 1d for canon, other than that it is the best camera in the world for shooting acton.

The A6000

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I love this camera, it doesn’t cost much, sub £500 new, it ticks along at 11fps, the image quality is insane, the autofocus whilst not as good at the 7d mk11, 1dx or Nikon D, is still more than respectable. I own one, it’s my back up to a 1DX. I love this camera! If you don’t believe me, check out Burky’s review of it here to see what it can do.

Battery life is a downside and the weather sealing is zero, but for the money it is epic. If you want a little more, skip the A6300 and go the A6500, it has the advantage over the A6000 of better image just and an almost unlimited buffer depth but is three times the price.

Anyway hope this helps, it’s not full reviews just my personal thoughts on cameras, in summary, get what you can afford, it’s better to be shooting with a cheap camera than saving for an expensive one, good photos come from the photographer’s creativity not the price tag.

My recommendation would be though –

Money no object – Canon 1DX2 or If you want to go Mirrorless the Sony A9

Bargain Pro Level Camera – Nikon D700, but the Nikon D3s s n this category now

Best APSC DSLR – Nikon D500

Best Bargain – Sony A6000

What do I shoot with, well I do love the A9, and got one secondhand and it died, which sucked. So as I do a lot of shoots in really crappy conditions I switched back to a Canon 1DX, and it is bomb proof, and you can pick one up now for around £1500.  then have a Sony A6000 as backup.

FUJI/PENTAX/PANASONIC

FUJI

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I originally said I knew Fuji were good, and they have some of the best lenses in the world, but hadn’t had a go on one, well I have now, the blisteringly good XT3. There is not much not to like with this camera, it’s small but has a very well thought out layout, the autofocus is very good, not A9/1DX2 good but heading that way, the image quality even though it is an APSC camera is exceptional and I would say unless you have a high megapixel count cameras, or a pro camera it beats or matches all full frames, and crucially for us it burns along at 20fps, and in a crop mode 30fps. It’s those numbers that got me excited. FPS is not everything, timing is everything, but especially in the water every frame counts. There is but one downside though, the buffer kind of lets this camera down, if it were a little deeper, it would be an incredible camera. You can work with it, at 10fps you get about 50 frames before you hit the buffer shooting RAW, at 20fps which I reckon is the optimum for water stuff you get about 4o frames before hitting the buffer which is doable, and at 30FPS around 30-35. So at 20fps you get a very useable 2 seconds at the highest speed, which if you’re timing is good is a killer for fisheye water stuff. It also excels at JPEGS, which pushes the buffer depths further. Having used and spoken to people who use it, it kills all other mirrorless APSC cameras, and at sub £1500 and fully weather sealed starts to ask the question do you need a full frame pro camera when this is here? Got me thinking…

Pentax, pretty good as well, if you’re invested n their glass, excellent cameras

Panasonc – awesome micro four thirds performance, but more for video than stills.

THE MOST IMPORTANT THING TO REMEMBER PHOTOGRAPHERS TAKE PICTURES< CAMERAS ARE JUST A TOOL, SO WHILST I BANG ON ABOUT THE MERITS OF EXPENSIVE CAMERAS SOME OF THE BEST SHOTS EVER TAKEN ARE ON CAMERAS WHICH COST JUS A FEW POUNDS SO ALWAYS REMEMBER THAT AND DONT GET TOO GEAR OBSESSED

 

If you’d like to come along on a weekend workshop click HERE

Tim Nunn

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